The 13th Disney Princess Raya appeared… What is her characteristic of the production crew?

‘Raya and the Last Dragon’ Still Cut

“Who is the 13th Disney Princess after’Moana’?’

This is a question that any Disney fan will be wondering about. From Disney’s first princess Snow White to Cinderella, Aurora (Sleeping Beauty), Ariel (The Little Mermaid), Belle (Beauty and the Beast), Jasmine, Pocahontas, Mulan, Tiana (Princess and Frog), Rapunzel, and Merida. , To Moana. Disney created a franchise called’Disney Princess’ because they have built a solid fandom for over 70 years since 1937 when Snow White came out, and each time a new princess was born, a’coronation ceremony’ was held, proclaiming that they became’Disney Princess’. did.

The Disney Princess came out five years after Moana. It is Raya, the protagonist of’Raya and the last dragon’, which is released in March. Raya is Disney’s first Southeast Asian princess. Raya and the Last Dragon set out on a journey to find the last dragon, Sisu, who remained in Kumandra in order to save his father and unite the people when the island of’Kumandra’ was divided by people’s quarrel and his father turned into stone in the process Painted.

On the 22nd, we met Raya and six production crews, including director Don Hall, who made the last dragon, producer Osnat Shure, and writer Adele Lim. Director Hall won the Academy Award for Feature Animation for’Big Hero 6′(2014). Shroud PD is from Moana’s PD who was nominated for the Academy Feature Animation Award. Whenever Disney introduced a new princess, it gave it a character that existing princesses did not have. Jasmine wore pants for the first time, and Ariel was the first non-human creature to become a princess. When asked about the difference between the existing Disney princesses and Raya, PD Shurer heard’responsibility’. She picked Raya’s willingness to overcome her situation as a more important feature than her external appearance. “Because all Disney’s female protagonists don’t have to be princesses, there has been an internal debate over whether to make Raya a princess. I made her a princess because I wanted Raya to be a person with a sense of responsibility to unite the divided people. Raya has the idea that she should be united instead of her father when she has lost her father, who was the leader of Kumandra. To demonstrate the responsibilities of being the daughter of the ruler, Raya was chosen as a princess.” (Osnat Shure)

Artist Lim, who was born in Malaysia and came to the United States at the age of 19, said that she put the’spirit’ of Southeast Asian women in Raya.

“Southeast Asia is a place with many strong female leaders. The social status is also high. I hoped Raya could represent this spirit of Southeast Asian women.” (Adel Lim)

In the movie, Raya and her friends take off their shoes before entering the temple. It reflects the Southeast Asian culture of taking off shoes when entering a sacred place. The dining scene followed Southeast Asian traditions, even where food was placed on the table.

“The Kumandra is a fictional world, but since I was inspired by the Southeast Asian water god’Naga’ to make a movie, it was most important to properly reflect the Southeast Asian culture. I visited Southeast Asian countries such as Laos, Indonesia, Thailand, Vietnam, Cambodia, Malaysia, Singapore, etc., ate with people there, and explored the historic sites to learn culture. The’Southeast Asia Story Trust’, made up of Southeast Asian culture experts such as linguists, architects, choreographers and musicians, was formed and learned from them the commonalities that penetrate Southeast Asian culture.”

Story Trust is a system in which Disney teams up with experts in each field to seek advice in order to improve the completeness of the work. When creating Moana, a Story Trust made up of experts from Polynesia was created.

The word that the production team mentioned the most in the interview is’trust’. They all agreed that trust is what it takes to unify Kumandra, divided by betrayal among people.

“The Kumandra is a land of great threats to survival. The main message of the film is learning how the characters trust each other here. During the production of the film, a pandemic exploded, facing the threat of survival in the real world, and I witnessed that distrust among people sprang up. I realized every moment that the movie was reflecting reality. I hope it will be an opportunity for the audience to see the movie and feel what they need in the pandemic era.” (Don Hall)

Disney has constantly pursued the racial and national diversity of princess characters. Jasmine was Disney’s first’non-white’ character, Mulan was Chinese and Moana was Polynesian. The company’s culture of encouraging employees to come up with personal stories and trying to capture the wider world in films through personal stories is underpinned.

“Disney’s stories are very personal. Because there is an atmosphere that encourages you to talk personally. Even during Moana, when an employee said’I want to talk about Polynesia’,’It would be fun. Let’s do it.’ I think a personal story is a mirror that reflects the world we live in” (Osnat Shurer)

“Disney tries to capture the world we live in as wide as possible. We always check to see if our movies show a diverse group of people across races and countries. The sincere desire to show a diverse world is a value shared by all members of Disney.” (Don Hall)

Reporter Kim Jae-hee go to reporter page [email protected]>

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